Published in Fremantle History Society’s Newsletter October 2020
Victoria Hall is no stranger to members of Fremantle History Society (The Society) as it’s been many things to many people. I’d like to share with you some of my memories of the place, there are several interconnecting stories.
Designed by Talbot Hobbs and built in 1897 as St John’s Parish Hall, Victoria Hall took on its new name to celebrate Queen Victoria’s Diamond Jubilee. In 1974 the Hall was saved from demolition by Union Green Bans. Ron Davidson RIP told a colourful story of this in Fighting for Fremantle. That action means we have one Gold Rush building left on the eastern section of High Street as a reminder of what once was.
My memories of 1980’s Victoria Hall were of a rundown elegant well-proportioned building housing the Salvation Army charity shop. And elegant it was, boasting all the extravagance of neo-classical Gold Rush architecture and a well-proportioned façade. We continued to patronise the ‘Sally Army’ for furniture and homewares for our new home in South Terrace until they moved out in 1996.
The Hall struggled along as a space for children’s entertainment and occasional adult dance, harking back to when barber and dance instructor Norm Wrightson ran post war formal dance classes and Saturday Dances for three decades. His brother Bob and wife were championship dancers.
Our home on South Terrace was across from Price Street where the shop on the corner had a huge deckchair above its door, it was one of many temporary homes of Deckchair Theatre Co. From there they produced Factory Girls, performed at the Mills and Wares Biscuit factory in South Fremantle.
This homeless theatre company found temporary accommodation in The Old Customs House and then was to gain a permanent home in Victoria Hall in 1998 -where they stayed until their closure in 2012. Having purchased the Hall in 2002 Fremantle Council spent a lot of money on renovations, these works were a double-edged sword for Deckchair often clashing with performances.
Some years later as a Fremantle Councillor I attended the unveiling of the renovated façade, which was grey concrete, consistent with Talbot Hobbs original design. I had many people ask why it wasn’t painted a nicer colour!
Deckchair struggled around the Victorian design of the building, sometimes having audiences turn their backs on the stage and proscenium arch. Their theatrical focus was ‘new works by emerging playwrights’, funded by the annual Deckchair Auction and the very popular Shakespeare in the Park (Kings Park). Unfortunately, the Australia Council threatened to remove funding if they continued with the Shakespeare events, causing great financial stress. The final blow came when a dodgy floorboard gave way and allowed a lighting rig to fall during preparation for The Fremantle Candidate, which became Deckchair’s final production and had to be performed in Perth.
The Society provided important archival work for Deckchair Theatre’s historical record, preparing the extensive artifacts for State Library acquisition. Members can be justly proud of this legacy for the people of Fremantle, which otherwise would have been lost.
Deckchair’s closure allowed The Fly by Night music club to try their hand in Victoria Hall. They had run a popular club in the Drill Hall, I saw many Australian and international acts there and have fond memories of them. The Fly struggled also with the Victorian layout, I saw some excellent musicians there too, but the atmosphere was just not the same as the Drill Hall. In 2009 The Fly met the same fate as Deckchair and folded.
This year SpaceMarket were successful with their EOI and Fremantle Council granted them a lease at Victoria Hall. SpaceMarket’s by-line is “Pairing disused spaces with useful people” Manager, Kate Hulett has a long list of successes in the arts and style, and brings experience from managing MANY and MANY 2.0 in Fremantle. COVID19 has limited their work so far, but the new Fremantle Theatre Company has a sell-out show at the Hall now and more booked for 2021. Let’s hope Victoria Hall is set for a new renaissance it thoroughly deserves.